Three rings linked in such a way that although they can’t be separated, no two rings are linked; remove any one ring, however, and the other two fall apart. Named after the Italian family of Borromeo whose family crest has borne the rings since the fifteenth century, the design has been used in many places and times as a symbol of strength in unity. A form of the Borromean link known as Odin’s Triangle or the Walknot (“knot of the slain”) was used by the Norse folk of Scandinavia in two variants: a set of Borromean triangles and a unicursal curve that makes a trefoil knot. A motif of three interlaced crescent moons, similar to the Borromean Rings, can be seen at the Palace of Fontainebleau; designed by the architect Philibert de l’Orme, it is based on the moon emblem used by Diane de Poitiers (1499-1566), mistress of King Henry II of France. A similar pattern, but with three interlaced snakes in place of the crescent moons, occurs at various sites in Wales, including Bangor Cathedral. The Borromean Rings are commonly used as a symbol of the Christianity Trinity. An early source for this was a thirteenth-century French manuscript, now lost, in which the word “unitas” appears in the center, inside all the circles, and the three syllables of “tri-ni-tas” are distributed in the outer sectors. Borromean Rings can be also be found on Japanese family emblems, at a Japanese Shinto shrine north of Sakurai in the province of Nara, and in the sculptures of the Australian artist John Robinson. In North America, the design is also known as the Ballantine Rings after the New Jersey Brewing company P. Ballantine and Sons who use it as a trademark with the rings labeled Purity, Body and Flavor.