Thabal Chongba is a popular Manipuri folk dance associated with the festival of Yaoshang. The literal meaning of Thabal is ‘moonlight’ and Chongba means ‘dance’, thus ‘dancing in the moonlight’. Traditionally conservative Manipuri parents did not allow their daughters to go out and meet any young men without their consent. Thabal Chongba therefore provided the only chance for girls to meet and talk to boys. In earlier times, this dance was performed in the moonlight accompanied by folk songs. The music is rhythmic beating of drums accompanied by other instruments. It is performed in every locality on all the five days of the festival. As soon as the moon rises over the hills the flute, the drums and the cymbals starts pouring out music. The boys and girls in a circle clutch each others hands with rhythms of music slow and fast, high and low, up and down. If the number is great they may form two or three rows so that everybody and anybody can participate in the dance. Of its special interest in the dance of legs and of the mind by the side of girl on the part of the males and also by the side of youth on the part of the females and hand in hand dancing. They wear no make-up and special costumes.
Sacred Circle Dance is a modern form which originated in the Findhorn Foundation community in Scotland following visits there from 1976 onwards by Professor Bernhard Wosien, a German dancer. Known first as Sacred Dance, it has changed over time as enthusiasts have made contributions, and may now be called Circle Dance, Sacred Dance, or Sacred Circle Dance (SCD). A small altar of flowers or other natural or venerated objects is usually placed at the centre of the circle. It has connections withNew age and Neopagan belief.
Opgeslagen onder art, dance, spiritual
Circle dance, is the most common name for a style of traditional dance usually done in a circle without partners to musical accompaniment.
Dancing in a circle is an ancient tradition common to many cultures for marking special occasions, strengthening community and encouraging togetherness. The circle is probably the oldest known dance formation. It is found even today in the community dances of many cultures, including Greek (Greek dances surviving from ancient Greece (chorea)), African, Eastern European, Irish Celtic, Breton, Catalan (sardana), South American and North American Indian. It is also used, in its more meditative form, in worship within various religious traditions, including, for example, the Church of England and other Anglican Churches.
Modern circle dance mixes traditional folk dances, mainly from European or Near-Eastern sources, with recently choreographed ones to a variety of music both ancient and modern and they draw on a rich and diverse dance tradition. There is also a growing repertoire of new dances to classical music and contemporary songs.
Circle dances can be energetic and lively or gentle and reflective. The style and mood reflects the group and the interests of the teacher. The aim always is to experience the joy of dancing with others and to create a sense of well-being and community. Circle dance groups grew up first in the UK and then across Europe, the US and elsewhere as a result of the work done by Bernhard Wosien.
Opgeslagen onder art, dance, spiritual
Sufi whirling (or Sufi spinning), (Arabic: رقص سماع) is a twirling meditation that originated among Sufis, which is still practiced by the Dervishes of the Mevlevi order. It is a symbolic ritual through which dervishes (also called semazens) aim to reach the “perfect” (kemal). They try to desert their nafs, egos or personal [bad] desires by listening [to their master and sufi music], thinking [about God] and whirling which resembles the rotation of other beings such as electrons and planets of the micro- and macrocosmos.
As explained by Sufis:
In the symbolism of the Sema ritual, the semazen’s camel’s hair hat (sikke) represents the tombstone of the ego; his wide, white skirt represents the ego’s shroud. By removing his black cloak, he is spiritually reborn to the truth. At the beginning of the Sema, by holding his arms crosswise, the semazen appears to represent the number one, thus testifying to God’s unity. While whirling, his arms are open: his right arm is directed to the sky, ready to receive God’s beneficence; his left hand, upon which his eyes are fastened, is turned toward the earth. The semazen conveys God’s spiritual gift to those who are witnessing the Sema. Revolving from right to left around the heart, the semazen embraces all humanity with love. The human being has been created with love in order to love. Mevlâna Jalâluddîn Rumi says, “All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!” 
Whirling & Kiyana:Self-Recognition and beyond: Perpetual & Vital Kiyana Exercises Infinity respiration, eye exercises, body discipline,symmetric and asymmetric movements by the method of divided attention
“Kiyana” means the origin, applies to the vital movements that are the source of all corporeal movements and athletic exercises which appeared in ancient Persia and were called “Yega” (the derivative of the Persian word “Yeganegi” which means unity) in a sense of unity of body, mind and spirit; recently it has been called “Kiyana”, the portion of these movements that arrived to Persia a portion of it was selected and is called “Varzish baastaani” (ancient athletic).